Blood on the fjord – Robert Plant Awakens the Old Gods as a Cursed Viking Warlord – Now Out

Blood on the fjord🎥 – Robert Plant Awakens the Old Gods as a Cursed Viking Warlord – Now Out

In a bold and surreal cinematic turn, legendary Led Zeppelin frontman Robert Plant emerges from the mists of myth in Blood on the Flord, an atmospheric Norse fantasy-thriller that feels like The Northman met The Wicker Man—with a heavy dose of psychedelic doom.

Directed by experimental filmmaker Elva Bjornsdottir, Blood on the Flord is set in a haunting vision of post-Ragnarök Scandinavia, where blood-drenched fjords and ash-covered forests whisper of ancient powers long buried—but not forgotten. Plant, playing against every expectation, takes on the role of Haldur Vargsson, a once-feared Viking warlord cursed to wander the realms between life and death after defying the Old Gods.

Wreathed in wolf pelts and weathered steel, Plant doesn’t merely play the role—he inhabits it. His gravelly voice, aged like oak and smoke, becomes a weapon of prophecy, channeling cryptic verses that stir the slumbering deities of the north. In one unforgettable sequence, Haldur sings a dirge beneath an eclipsed sun, awakening a cosmic leviathan from the ice. It’s spine-chilling—and somehow, it works.

Bjornsdottir’s direction is hypnotic, relying on dreamlike visuals, practical effects, and a non-linear narrative that weaves between myth and memory. The score, co-composed by Plant himself and Icelandic composer Halla Örn, blends droning ritualistic drums, hurdy-gurdy wails, and ambient guitar to dizzying effect. This is less a film and more a trance—a meditation on fate, ego, and divine wrath.

Though undeniably strange, Blood on the Flord is arresting in its vision. Critics may debate its coherence, but there’s no denying the sheer ambition behind its rune-inscribed madness. For fans of Robert Plant, this is a reinvention like no other—equal parts shaman, warrior, and tragic godling.

At 73, Plant proves he’s not just a rock icon—he’s a vessel for myth. Blood on the Flord may not be for everyone, but those willing to lose themselves in its fog will find a tale as old and powerful as the sagas themselves.

Now streaming on select arthouse platforms and touring underground film circuits worldwide.Let me know if you’d like a trailer script or social media post to go with it!

Related Posts

HEARTBREAK IN TEXAS: In a Scene No One Expected, Paul McCartney and Ringo Starr Appeared at Brandon Blackstock’s Funeral — And the Song They Chose for Their Final Farewell Has Left Everyone Wondering… It was a moment that left the chapel in stunned silence. Paul McCartney and Ringo Starr, the last two surviving members of The Beatles, quietly entered the service for Brandon Blackstock, stepson of Reba McEntire and former husband of Kelly Clarkson, who passed away at just 48 after a three-year battle with cancer. No cameras followed them, no spotlight marked their arrival — only the sound of soft footsteps and the rustle of black coats as the two legends took their place at the front. Then, without introduction, Paul strummed the opening chords of “In My Life”, Ringo tapping a gentle rhythm on a small snare beside him. The simple arrangement, stripped of all production, filled the room with a tenderness that words alone could never carry. By the final line — “In my life, I love you more” — there wasn’t a dry eye in sight. Even Reba was seen clutching her hands together, visibly moved by the quiet, unexpected act of love and respect. When the song ended, Paul and Ringo simply nodded toward the family, placed a single white rose on the casket, and left as quietly as they had arrived — leaving mourners in a mix of tears, awe, and unanswered questions about why they chose that song. Friends close to the family hint that the answer lies in a private connection between Brandon and the Beatles’ music — one that has never been made public…

Leave a Reply

Your email address will not be published. Required fields are marked *